Category Archives: Culture

What I’m Reading Now: May 29, 2018

The Rise and Fall of the Dinosaurs: A New History of a Lost World, by Steve Brusatte (William Morrow, 2018, 404 pp.)

I’ve never read a book about dinosaurs. Growing up, I was never very good at (or interested in) science, though like everyone else I went to see Jurassic Park on the big screen when it came out in 1993 and was of course inspired by their majesty and beauty. That movie, for all the flaws that experts picked out, inspired an entire generation of new paleontologists.

I also don’t usually buy books when I’m browsing at the “New Releases” table at the bookstore, but I recently picked up Steve Brusatte’s new book and I’m glad I did. It looked interesting, and I thought it might be a good way to learn about a subject I know next to nothing about.

Brusatte (pronounced brew-sot-e) is an American-born and -trained paleontologist at the University of Edinburgh and the “resident paleontologist” for the BBC’s “Walking with Dinosaurs.” He brings an infectious enthusiasm to his subject and he knows it well. He weaves into the hard science of paleontology tales of discovery that make for good reading, especially for those scientifically challenged learners like me.

First, the vastness of the chronological scale when it comes to dinosaurs is staggering. American historians study people and events from the last few hundred years. Even historians of antiquity focus on thousands of years. But the life of dinosaurs goes back over 225 million years, a temporal span that can be difficult to wrap one’s mind around.

Second, lest you think that scientists have discovered all there is to know about creatures that have been extinct for 66 million years, think again: paleontologists discover on average one new species of dinosaur every week. Not a new bone or fossil—a new species that we did not previously know about. According to Brusatte, we are living in the midst of a golden age of discovery right now; he has discovered fifteen new species himself though not yet 35.

Finally, it’s quite humbling for someone who has spent his entire career studying the history of humans—and very recent ones at that—to contemplate humanity’s link in the evolutionary chain of Earth’s 4.5 billion years. Humanity is a rather recent phenomenon, geologically speaking, and when you’re forced to step back and take the long view of millions of years—as this kind of book makes you do—you realize that we ourselves may vanish one day, as the dinosaurs did, through a natural catastrophe or one of our own making.

It’s hard to imagine that our entire species might eventually be reduced to fossils and bones, discoverable by some other species millions of years from now, but that is exactly what happened to the dinosaurs.

We can only hope that in that new world someone as talented as Steve Brusatte will be around to explain the meaning of whatever fragments of our own long-vanished world they manage to extract out of the dust.

What I’m Reading Now: May 22, 2018

A Brief History of Thought: A Philosophical Guide to Living, by Luc Ferry (Harper Perennial, 2011, 282 pp.)

Last week the subject was the creation of our individual identity—what makes us who we are? This week’s subject is coming to terms with our place in the universe: how we should go about living our lives and coming to terms with our own death?

Luc Ferry is a French philosopher who has taken on the challenge of trying to make understandable to the general reader some very tangled philosophical questions about living and dying. He tries to answer the question put forth by his 16th-century countryman Michel de Montaigne, “How to Live?”

Since the dawn of time, men and women have looked up into the heavens and pondered their place in the universe. How are we supposed to conduct ourselves while we are here, and what happens to us when we die? The answers we’ve come up with range from Stoicism in Greek philosophy, through Christianity, Deism and the Enlightenment, Nietzschean postmodernism, and beyond. Ferry explores them all.

The ultimate question that philosophy seeks to answer is how do we go about living our daily lives without living in fear of our ultimate death? Especially as death comes in many forms, not just the literal death of the body. All through our lives we must come to terms with the end of things: jobs, careers, children who grow up, friends who move away, the seasons as they come and go, love that fades, things constantly changing all around us. All of these can cause the same anxieties as a literal death. We have to come to terms with the irreversibility of life, otherwise we spend all our days living with nostalgia, guilt, regret, and remorse, “those great spoilers of happiness.”

The ancient Greeks posited Stoicism: To conquer our fear of what we cannot change, we must start living in the here and now: “The present moment is the only dimension of existence worth inhabiting, because it is the only one available to us. The past is no longer and the future has yet to come . . .yet we live virtually all of our lives somewhere between memories and aspirations, nostalgia, and expectation.”

We all know the feeling: if I had another job, a bigger house, if I just lived by the beach, then I’d be happy.”  As Seneca so wisely put it, “while we wait for life, life passes.” Accept that nothing is permanent, everything changes, and that the sooner you embrace this, the happier you’ll be. A good Stoical life is one stripped of both hopes and fears, a life that accepts the world as it is—without, however, succumbing to fatalism. As some have put it, “hope a little less, love a little more.”

Christianity followed and promised eternal life through faith in the redemptive love of God. The belief in an afterlife has proved so seductive—and has remained so for two millennium—that it conquered Greek philosophy, and all belief systems since have had to contend with it head-on.

The war between Reason and Faith that began during the Renaissance has continued through the Scientific Revolution, the Enlightenment, the Romantics, Nietzsche’s Will to Power, and all the philosophies that have followed. The battlegrounds are individual consciences and public statehouses, and the answers remain as tangled as ever.

Whichever philosophy we choose to guide our lives, however, it is an individual choice. Ferry reminds us that it is incumbent upon us therefore to respect the choices made by others who may disagree with us.

Tolerance and respect for the beliefs of others: perhaps the most elusive philosophy of all.

What I’m Reading Now: May 15, 2018

In the Darkroom, by Susan Faludi (Metropolitan Books/Henry Holt and Company, 2016, 417 pp.)

What creates our identity and makes us the person that we are? Our gender? Our sexual organs? Our DNA and our parents? Our country of origin? Religion and History?

Award-winning journalist Susan Faludi received in 2004 an email from her father, with whom she’d barely spoken for 25 years, with the subject line, “Changes.” Her father Steven—at the age of 76—had become Stefanie: “Dear Susan, I’ve got some interesting news for you. I have decided that I have had enough of impersonating a macho aggressive man that I have never been inside.”

Her Hungarian father had undergone sexual reassignment surgery, and Susan would spend the next 10 years trying to get to know her father and uncover his long-hidden Jewish past during the Holocaust in Hungary: “As a child I had resented and, later, feared him, and when I was a teenager he had left the family—or rather been forced to leave, by my mother and by the police, after a season of escalating violence. Despite our long alienation, I thought I understood enough of my father’s character to have had some inkling of an inclination this profound. I had none.”

This book is the story of her journey to understand her father’s real identity. The title comes from her father’s fascination with photography, and his lifelong habit of using a camera lens to obscure not only the reality in front of him but also his own murky past—and ultimately who he really was. I didn’t think it possible to mix a study of transsexuality with the history of the Holocaust, but Faludi has done it superbly, uncovering layer by layer pieces of her father’s history.

The result is a fascinating journey into the meaning of gender, sexuality, history, and ultimately identity.  Can we re-invent ourselves and escape who we really are by changing our name and our sexual organs? Is biology destiny? Is that ultimately what creates our identity? Or is the past unescapable, both for individuals and for nations?

Faludi the journalist tells a larger story here as well. As her father reinvents himself, so does modern-day Hungary. She deftly details the rise of the modern authoritarian government there and its quest to “restore” Hungary to its “true” identity, a frightening “pure” Hungarianism that is openly anti-Semitic and anti-LGBT. The clashes on the streets of Budapest reverberate far beyond its borders, across Europe and America.

The questions Faludi poses about identity and history are more pertinent and troubling than ever, both for ourselves individually and for our society collectively. Individually, social media allows us to reinvent ourselves as we choose and present a public brand of our own creation, while collectively we are seemingly at war over the meaning of our own history and the story it tells in the public arena. Some of those who decry the removal of Confederate monuments as “erasing history” applauded when Communist statues came down in Eastern Europe and approve now the erasure of slavery from American history textbooks.

The answers to the questions about history, memory, and identity remain elusive but astoundingly important.  What, ultimately, creates our identity and makes us who we are?

What I’m Reading Now: May 8, 2018

Beat to Quarters: Horatio Hornblower, Vol. 1, by C.S. Forester (1938, Book of the Month Club Edition, 220 pp.)

The theme this week, like last week, is: where have these books been all my life? How am I just now discovering the glory that is C.S. Forester’s Horatio Hornblower series?

I well remember seeing the ads for the television series that was broadcast from 1998 to 2003, but I never found the time to watch. I hadn’t even heard of the books upon which the series was based.

At that time, 18 years ago, I bought an omnibus edition from the Book of the Month Club that featured the first three Hornblower novels in one volume. When it arrived, I promptly put it on a shelf, and there it sat. Why am I reading it now? Because Jonathan Yardley reviewed this book in Second Reading, which long-suffering readers of this blog will recall I was reading three weeks ago. So what if it took nearly two decades to get around to? When I was finally prepared to receive its wisdom, there it was.

And a ripping good read it is, too. I was introduced to the fascinating grisliness of 18th and early 19th-century naval warfare through Evan Thomas’ splendid biography, John Paul Jones (2003). Anyone who’s watched the opening battle scenes from Master and Commander (2003) knows well the carnage wrought by shot and shell across a warship’s quarterdeck, leaving body parts and severed heads in their wake.

Rigid naval discipline meant that commanders like Jones and Hornblower were expected to stand tall on the quarterdeck throughout the terrifying ordeal of battle, rigid and unflinching, while bloody and mutilated comrades fell screaming all around. Any sign of cowardice brought shame and dishonor, worse even than losing limbs. Courage, discipline and level-headed seamanship under fire counted above all.

C.S. Forester’s knowledge of Napoleonic-era battleships and warfare is astonishing. The granular detail and intense descriptions of battle on the high seas make for gripping reading indeed. In Hornblower, a junior level captain in His Majesty’s Navy, Forester created an historical character whose interactions with his crew, the Lady Barbara Wellesley, and his own internal demons make him a fascinating psychological study in leadership. Like Sherlock Holmes, he is not always the most affable character, but you root for him even when you don’t always like him.

Forester is himself an interesting study, having appeared on a 1956 episode of Groucho Marx’s TV show, “You Bet Your Life,” and he is additionally the author of The African Queen (the 1935 book upon which the movie was based) and a 1942 children’s book entitled Poo-Poo and the Dragons.  Any author who managed to work the words “hornblower” and “poo-poo” into his book titles is worthy of distinction.

Having serendipitously found the remaining twelve volumes in this series at the GHS book sale two weeks ago, I am going to become well acquainted with the further adventures of Mr. Hornblower.

What I’m Reading Now: May 1, 2018

The Black Arrow: A Tale of the Two Roses by Robert Louis Stevenson (1888; Easton Press edition, with illustrations by N.C. Wyeth, 328 pp.)

Unlike many people—and for reasons I can’t now fathom—I never read Robert Louis Stevenson as a boy. Not until my mid-30s did I read Treasure Island, and then 10 years more elapsed before I got around to Dr. Jekyll and Mr. Hyde.

Now another decade has gone by before reading The Black Arrow, Stevenson’s wonderful tale of history and romance set during England’s War of the Roses (1455-1485).  (Still to come: Kidnapped, along with nearly everything else he ever wrote.)

I’ve read and re-read Treasure Island, and it’s safe to say that Stevenson is now one of my preferred authors. His short story “The Body Snatchers” has long been a favorite, a tale of supernatural horror that I’ve dipped into many times over the years on blustery winter evenings seated before a fire. No less than Arthur Conan Doyle considered Stevenson’s story “The Pavilion on the Links” (no, it’s not about golf) to be the height of perfection. It has the distinction of being one of the first short stories in the world.

Despite his reputation, Stevenson is not a children’s author. That label dogged him in the years immediately following his death, but by the middle of the 20th century he had rightfully taken his place among the distinguished writers of English literature. His work speaks to anyone who loves a good story, great writing, and the thoughtfulness of a man who puzzled over the ambiguities of the human condition but who never professed to fully understand it.

Stevenson suffered most of his life from tuberculosis, and he traveled restlessly across the globe from one place to another seeking relief and good health. He finally found it in the South Pacific but died tragically in 1894 on the island of Samoa from a cerebral hemorrhage. He was only 44.

He lies there still, buried on Mount Vaea, with his own haunting poem, “Requiem” on his tombstone:

Under the wide and starry sky,
Dig the grave and let me lie.
Glad did I live and gladly die,
And I laid me down with a will.

This be the verse you grave for me:
Here he lies where he longed to be;
Home is the sailor, home from sea,
And the hunter home from the hill.