This week’s Off the Deaton Path podcast previews the action-packed College Football Season that begins this Labor Day weekend. Stan inflicts on gridiron-loving fans his previews, predictions, half-baked ideas and inane commentary about the Dogs, Jackets, and other big games in September. Click and enjoy.
Category Archives: Culture
Count Us In, Chuck
As long-suffering readers of this blog know well, I’ve had a long love affair with the Rolling Stones. I’ve seen them nine times in five different cities over the last 35 years, from the first time as a 17-year-old senior in high school to the last as a 50-year-old in the summer of 2015.
So imagine how Fan-Boy crazy I went when the Stones’ legendary keyboardist, Chuck Leavell, attended the Georgia Historical Society’s Trustees Gala in February in Savannah and yours truly got to sit with him at dinner. To say that I busted his chops would be an understatement. Turns out, he’s a huge fan of public television and was familiar with my own work on “Today in Georgia History.”
I first met Chuck for a few minutes when he gave the inaugural Mark Finlay Memorial Lecture on environmental history at Armstrong State University in the spring of 2015. As you may know, Chuck and his wife Rose Lane turned her family’s plantation into a model tree farm outside Macon, and to say they’ve been good at it would be an understatement. They were jointly named National Outstanding Tree Farmers of the Year in 1999, and Chuck is the only two-time recipient of the Georgia Tree Farmer of the Year Award. The dedicated conservationist is the co-founder, with Joel Babbit, of the Mother Nature Network. In 2012 Chuck received a Lifetime Achievement Grammy for his work with the Allman Brothers Band as well as an Honorary Ranger award from the US Forest Service. Who else has done that? Take that Bob Dylan, with your Nobel Prize.
The husband, father, and grandfather is also an accomplished author of four books: Forever Green: The History and Hope of the American Forest; the autobiographical Between Rock and a Home Place; The Tree Farmer (a children’s book); and Growing A Better America.
Besides his work with the Allman Brothers, Chuck’s recorded with Eric Clapton, George Harrison, the Black Crowes, Blues Traveler, Train, John Mayer, and many others, in addition to his own accomplished solo projects. The Alabama native attended the Georgia Historical Society’s Gala to honor Pete Correll, the longtime chief of Georgia Pacific and board member of the Mother Nature Network, who was appointed by Governor Deal and GHS as a Georgia Trustee this year.
As in our first encounter, Chuck couldn’t have been more gracious. He is, in the words of Keith Richards, a gentleman through and through and as modest as they come. You’d never know he was at the heart of the Greatest Rock n’ Roll Band in the World, their keyboardist, erstwhile musical director, and the man who counts them in to nearly every song. Having been a Stones fan long before he became their keyboardist, Chuck in many ways is Mr. Everyman, standing in for all of us who love the band and their music dearly while spending the better part of a lifetime getting a nightly rear view—as Charlie Watts once indelicately put it—”of Mick’s bum wigglin’ about.”
And how’s this for coincidence: he made his debut with the Stones at their Atlanta concert in the Fox Theater on October 26, 1981—the first Stones concert I ever attended. Through the magic that is the internet, you can hear the soundboard recording of that magical night here.
Without letting Chuck eat his dinner, I quizzed him about all things Stones, from how they stay so amazingly able to perform at such an advanced age (Mick exercises his body and voice relentlessly and rigorously watches his diet; Keith smokes and drinks), to Ronnie Wood’s newborn twins (for whom he’s given up smoking), to how long it’s all going to last. How do they first contact him to invite him to go on tour–does he look down at his cell and see Mick calling? (Sometimes, perhaps, but first the Stones’ manager Joyce Smyth sends out an email.) And so it went, on and on through every course. He answered my questions from the mundane to the sublime with unwavering politeness and an empty stomach.
Many of my questions had to do with what they will and will not play live in concert, and why. As the group’s official “musical director” Chuck sets every show’s set list with Mr. Jagger and fights hard for songs that get rehearsed but rarely played live, like “Get off My Cloud” (hear Mick ask Chuck to count them in), “Lady Jane” and “Play with Fire.”
When I asked him why they don’t play early 60s standards like “Mercy, Mercy,” or “Walkin’ the Dog” live, he just laughed. He replied that people pay a lot of money to see them (don’t I know it!), and Mick and company feel they have to strike a delicate balance between playing familiar tunes like “Jumpin’ Jack Flash” that casual fans expect to hear, leaving little room for rarely played gems such as “She’s a Rainbow” and “Monkey Man” (both, incidentally, containing some of Chuck’s best work) for hard-core nuts like me.
Here’s what Chuck won’t tell you, though if you’ve followed the Stones during his tenure, you know it’s true: he’s made them a much better live band than they were before his arrival. They’re more professional, the songs are crisp and tight, giving their shows an energy and quality they lacked when everything was noticeably more ragged. In my opinion he’s a huge reason the band still plays to sold out audiences around the world well into their seventies.
Chuck and Rose Lane have recently purchased a home in Savannah (not far from my office) and will be spending time here, so we’ll be neighbors for a few weeks each year.
The next sunny afternoon you stroll around Forsyth Park, you may see an unassuming white-haired, tree-farmer-looking gent walking beside you. If you pay him no mind and look the other way, you will miss the man who has been an integral part of musical history for the last third of a century and a well-respected member of rock royalty.
Take it from me: he won’t mind if you walk up and say, in Mick’s immortal words, “Please allow me to introduce myself….”
Tell him Stan said hello. And for all the pleasure—dare I say Satisfaction–you’ve given us through the years, Chuck, a heartfelt and sincere thank you. I like it, like it, yes I do.
Guilty as Charged
A lot of people in Atlanta took umbrage at Dan Shaughnessy’s column in the Boston Globe about how disappointed the New England Patriots must be in having to play the Falcons in the Super Bowl. He didn’t really say anything bad about the Falcons or Atlantans, oddly enough. The gist of his argument is that Atlantans aren’t die-hard professional sports fans (and thus aren’t worthy of a spot in the NFL’s big game), but are instead crazy about college football.
Guilty.
Don’t get me wrong, I love and support all of Atlanta’s professional sports team, and have all of my life, as numerous of these tedious blog posts will attest. I stand second to none in my fanaticism for the Braves, Falcons, and Hawks. Heck, I even loved the long-defunct Atlanta Flames and still support them in Calgary. I know that they currently own the 8th and last playoff spot in the NHL’s Western Conference right at this red-hot second. Find three other people south of the Mason-Dixon line who care about that, I dare you.
But yes, college football is king here. And news flash: we aren’t alone.
The Northeast is the only place where the love of pro football wins out over the college game because, with the exception of Boston College (for whom our beloved Matty Ice played), there is no college football north of Philadelphia worthy of the name. Rutgers doesn’t count, despite playing—if you can call Rutger’s performance last year “playing”—in the Big Ten.
Combine that with the fact that the Patriots are really, really good—as are the other Boston teams usually—and it’s understandable why professional sports fans there are legion.
Our fanaticism here is not because of the dearth of professional championships in Atlanta sports.
It’s because college football is more exciting and more fun to watch, in my humble and uninformed opinion.
The rivalries are much more intense, and the game-day atmosphere at big-time college football games is unmatched in any other sport. Any. Shaughnessy referenced lack of excitement in Atlanta last April about a Celtics-Hawks playoff matchup (which the Hawks won, by the way). Is he kidding? Seriously? The NBA?
For game-day excitement, try the Big House in Ann Arbor when Michigan plays Ohio State (ask Michigan alum Tom Brady about it). Or the Horseshoe in Columbus when it’s played there. Or in Oklahoma during Bedlam. Utah during the Holy War or Oregon’s Civil War. Also try finding cool names like these for NFL rivalries. You won’t.
The NFL has nothing—nothing—to compare to the Iron Bowl. Or the World’s Largest Outdoor Cocktail Party. Notre Dame vs. Southern Cal. Texas and Texas A&M (though temporarily suspended). Catholics vs. Convicts.
I’m not saying there aren’t great rivalries in the NFL—the Redskins and Cowboys, Patriots and Jets, and Packers and Bears all come to mind. Heck, the Falcons and Saints don’t like each other. And the best rivalries in baseball are the Yankees and Red Sox and Cubbies vs. Cards.
But it’s not the same as the blood feuds in college football, where many of these rivalries go back 130 years. The NFL has been around since the 1920s, but most franchises—including the Patriots—barely predate the 1960s. And rivalries are divisional (Cowboys-Redskins) not geographical, like Florida and Florida State, and don’t have nearly the emotional intensity of a life and death college football grudge match.
Boston’s a great sports town, make no mistake, and I can understand how the mighty Patriots might have wanted to play a different team, with a greater championship legacy. It’s like Montreal playing Phoenix in the Stanley Cup—hockey in Arizona?
But here’s a fact: when the Patriots won their first Super Bowl in 2002, they had played previously in two Super Bowls (1986 & 1997), exactly one more than the Falcons (1998) at that time. And they had lost both of those games, to the more storied NFL franchises, the Bears and the Packers.
Yes, they’ve won four since, but we all have to start somewhere, including the Patriots. Pittsburgh had won 4 Super Bowl titles before the Patriots ever even appeared in the big game for the first time in 1986.
In sports as in life, all glory is fleeting. One should be wary of acting too smug about how supreme your team is over time. The Dallas Cowboys have wandered in the playoff and championship wilderness for 20 years now after Troy Aikman and Emmitt Smith retired, and perhaps that fate awaits the Pats once Brady and Belichick are gone—which they will be one day.
Brady is a once-in-a-lifetime QB, and Belichick a once-in-a century coach. Their impact on that team is not unlike Michael Jordan’s and Coach Phil Jackson’s for the Chicago Bulls in the NBA. How many titles have the Bulls won without them? Zero.
Like Cowboys fans now, one can easily imagine a time in the not-so-distant future when Pats fans might be thrilled to play in the Super Bowl again after a long, long dry spell that nobody ever foresees when the champagne is flowing. They might one day even be thrilled to be playing against the Atlanta Falcons.
Rise up.
O Lost, and By the Wind Grieved
So my end-of-the year wrap-up blog is over two weeks late. That’s in part because I took a moment to enjoy the four days of cold weather that descended upon Savannah two weeks ago. Have no fear, this isn’t going to descend into another rant about the weather, but winter this year in Savannah was apparently scheduled for the four days surrounding that weekend, and I paused to enjoy it. It’s now spring again, here in mid January. Air-conditioners are running, trees are blooming, and grass will soon be growing and in need of trimming. Atlanta missed a record high on Christmas Eve by one degree, and came perilously close on Christmas Day. That’s two years in a row that bathing suits have been more in order at Yuletide than sweaters, and yours truly doesn’t like it. I don’t like it all. Okay, so it turned into a short rant about the weather. Sorry.
One good thing about delaying this column is that it gives me a chance to congratulate the Atlanta Falcons for winning their division, locking up the second seed in the NFC playoffs, a first-round bye, and a divisional win over the Seattle Seahawks. The rematch with the Green Bay Packers in this weekend’s NFC championship game will be a good one. Stay tuned.
We can also congratulate the Clemson Tigers on knocking off the top-ranked Alabama Crimson Tide (after shutting out Ohio State) and winning the college football national championship. It’s not easy to beat Urban Meyer and Nick Saban, as Clemson did in this year’s playoff. The Tigers needed nearly all 60 minutes to beat Bama, but when it was over they had won their first national title in 35 years, thanks in large part to Gainesville native Deshaun Watson. How the Georgia schools let him get away is beyond me, but there he was wearing orange and purple and standing on the championship stage afterward. My prediction: Bama will be back in the playoff next year, and Clemson will be at home watching, with Watson and lot of other talent moving on. Everyone else has to rebuild; Saban just reloads and starts shooting again.
Another Goodbye to Another Good Friend: If you’re on social media at all, then you know that 2016 went down as one of the most unpopular years in recent memory, if we could take votes on such things. It was certainly a bad year for deaths in the entertainment industry, as you no doubt noticed yourself and as many other people have pointed out. The deaths of David Bowie, Prince, Glenn Frey, and many others left a huge void, and they’ve all been lovingly remembered and mourned on cultural and social media. There were many other famous passings, from Muhammad Ali to Nancy Reagan.
But lost among all those big names were some lesser stars in the firmament that you may or may not have heard of but should have. We’ll pause for a moment here and take one last look back at some other folks who shook off this mortal coil in 2016:
Though you may have missed it, Thomas Jefferson died in 2016, 190 years after his first death. Okay, so it wasn’t that Jefferson. But all the millions of fans of the movie musical 1776—of which I happen to be one—fondly remember Ken Howard’s lighthearted portrayal of Thomas Jefferson, long before he became The White Shadow on TV. The Tony- and Emmy-award-winning Howard died on March 23 at age 71.
Horace Ward, born in LaGrange, Georgia, was the first African American to attempt to batter down the wall of segregation that prevented black students from attending the University of Georgia. In 1950 he applied to UGA Law School and was turned down, despite a stellar undergraduate career at Morehouse and Atlanta University. Ward tried and failed for nearly a decade to overturn the decision in court, but his case helped eventually to end segregation at Georgia’s flagship university after 175 years, when Hamilton Holmes and Charlayne Hunter were admitted in 1961. Ward went on to become the first African American ever to serve on the federal bench in Georgia, though he shamefully had to go elsewhere to earn his law degree. Judge Horace Taliaferro Ward died at the age of 88 on April 23 and is buried in Atlanta’s Westview Cemetery.
On April 22, 1945, Jerry O’Keefe of Ocean Spring, Mississippi, shot down five Japanese planes over Okinawa in his first aerial dogfight. He was 21 years old. After the war he went into the insurance business and became mayor of Biloxi, where—Mississippi born and bred—he faced down and arrested members of the Ku Klux Klan who marched there without a permit. The Klan sent him death threats and burned a cross on his lawn. The warrior who earned the Air Medal, the Navy Cross, the Distinguished Flying Cross, and the Congressional Gold Medal died on August 23 at age 93.
It took William H. McNeill ten years to write The Rise of the West: A History of the Human Community, but after its publication in 1963 it became a surprising best seller and won the National Book Award for history and biography. As Clifton Fadiman said, it is “deeply reflective, the work of a master scholar.” Hugh Trevor-Roper, no slouch himself, called it “the most learned…the most intelligent…the most stimulating and fascinating book that has ever set out to recount and explain the whole history of mankind.” It remains unsurpassed in scope and breadth, one of 20 books that McNeill wrote in a long and distinguished career. If you haven’t read it, you should. McNeill died on July 8 at 98.
Andy Griffith fans everywhere (like me) have Richard Linke to thank for Griffith’s discovery and the TV show that brought him worldwide fame as the mighty sheriff of Mayberry. While working for Capitol Records, Linke was sitting by his radio one clear night in 1953 when he picked up a southern station broadcasting Griffith’s recording of “What it Was, Was Football.” Linke knew something special when he heard it. He flew immediately to North Carolina, bought the rights to the record for Capitol for $10,000, signed Griffith to a contract, and managed his career for the rest of his life. As Griffith put it, “had it not been for him, I would have gone down the toilet.” Linke died on June 15 at 98.
Producer and arranger Milt Okun performed a similar service for music fans. He helped create the Chad Mitchell Trio and when Mitchell left in 1965, Okun discovered and hired Henry John Deutschendorf, Jr. to replace him. Okun turned John Deutshchendorf into John Denver and produced and published the music that made him a folk and pop legend. The man who gave the world the musical gift of the Bard of the Rocky Mountains died on November 15 at age 92.
If you’re a fan of classic cartoons like me, you’ve heard the voice of Janet Waldo all of your life. She was the female Mel Blanc, bringing dozens of animated characters to life over the last 60 years, from Josie in “Josie and the Pussycats,” to Judy Jetson, Penelope Pitstop, and Fred Flintstone’s mother-in-law. She died on June 12 at the age of 96.
And if you’re a devotee of classic movies, one death last year was especially notable: Madeleine Lebeau was 19 years old when she was cast as Yvonne in Casablanca, and she achieved screen immortality by singing “La Marseillaise” with tears streaming down her face. When she died on May 1 at age 92, the French culture minister Audrey Azoulay said, “She will forever be the face of French resistance.” Lebeau was the last surviving credited cast member of what is arguably the best film ever made.
There were other “lasts” who died in 2016: Bill Herz was the last surviving crew member of Orson Welles’ “War of the Worlds” 1938 radio broadcast that terrified listeners with the news of Martians invading New Jersey. Herz died on May 10 at 99.
Two other big-screen deaths of note: Fritz Weaver was an all-purpose actor who appeared in dozens of movies and TV shows since the 1950s, but to my mind his most notable role was as the paranoid Air Force Colonel Cascio, who refuses to help the Russians shoot down American planes in the 1964 Cold War thriller Fail Safe. Diehard “Twilight Zone” fans will remember him from the episodes “Third From the Sun” and “The Obsolete Man.” He died November 26 at age 90.
Similar to Weaver, Frank Finlay had a long and distinguished career across the stage and screen, but every Christmas he returns as Jacob Marley’s ghost in the 1984 George C. Scott version of A Christmas Carol, the best of them all, in my humble and uninformed opinion. Finlay died on January 30 at 89.
The 1990s TV show “Homicide: Life on the Street” was groundbreaking television and is considered by many to be one of the best shows ever produced. I happen to be one of those people. One of the finest episodes was Season Three’s “Crosetti,” which explored the suicide of Detective Steve Crosetti and its devastating impact on his fellow officers. Jon Polito played Crosetti for only two seasons but he left an indelible mark on the show, as well as the numerous characters he created as a stock player in several Coen Brothers’ films, including The Big Lebowski. He also played Jerry and Kramer’s landlord in the Season Nine “Seinfeld” episode “The Reverse Peephole.” Jon Polito died on September 1 at age 65.
A personal memory: my mother had a wonderful and eclectic album collection when I was growing up, and one of my favorites was the steel guitar sounds of Al Caiola. You may think you don’t know him but you do: he recorded scores of instrumental versions of movie and TV show themes that became big hits and the soundtrack of a generation, most famously “The Magnificent Seven” and “Bonanza.” The next time you hear Paul Anka’s “Put Your Head on My Shoulder,” Neil Sedaka’s “Calendar Girl,” Bobby Darin’s “Mack the Knife” or “Splish-Splash,” Simon & Garfunkel’s “Mrs. Robinson,” Johnny Mathis’ “Chances Are,” Del Shannon’s “Runaway” and Ben E. King’s “Stand by Me,” you’re listening to the great guitarist who died in a New Jersey nursing home on November 9. He was 96.
Finally, the man known to his legion of fans as The Hag died on his 79th birthday on April 6. As Keith Richards said, “One of the great country singers of all time and a helluva guitar player. Gonna miss you pal.”
Literary Mountains Climbed: In 2016 I read 31 books totaling almost 12,000 pages. Among them were two that I’ve had on my list for a long time: War and Peace by Leo Tolstoy, and Thomas Wolfe’s Look Homeward, Angel.
Tolstoy’s masterpiece, first published in 1869, is as advertised, one of the best books I’ve ever read. Don’t let its size daunt you: the version I read, Easton Press’s leather-bound edition in its series “The 100 Greatest Books Ever Written,” came in at 1,035 closely written pages. The Count of Monte Cristo and Les Miserables were both longer. It took me 45 days to read, an average of 23 pages a day. That’s easily doable, and most days I read closer to 30-40. It was well worth the time and effort.
For all of its reputation, it’s not hard to read, and the Russian names are not hard to follow. The best advice I can offer is just start reading and keep at it; the names will sort themselves out in good time, and the story will carry you along. Tolstoy is not Dostoyevsky; he doesn’t drill down a thousand feet, he is not concerned with the abstract, the unconscious, or the abnormal. Tolstoy is focused on human life, in all its vastness and complexity, and that’s his real subject in this book. The book drops down into a group of people’s lives and it leaves them still struggling at the end. Along the way, you learn a lot about them, about the choices we all make as human beings—and you’ll learn about yourself as well. As literary critic Clifton Fadiman said so well, “once a few minor hazards are braved, this vast chronicle of Napoleonic times seems to become an open book, as if it had been written in the sunlight.” This is a timeless book with its own rhythm that will have a lasting effect on you long after you finish it, as all great books do. Read it like eating an elephant, one bite at a time. You will not regret it.
Thomas Wolfe’s “young-man-from-the-provinces” theme in his semi-autobiographical Look Homeward, Angel: A Story of the Buried Life (1929) will be familiar to anyone who’s read Stendahl’s classic The Red and the Black. Wolfe of course takes the genre to another level and inspired a host of writers since. I had long imagined Wolfe to be as impenetrable as William Faulkner, but in this I was completely wrong.
After reading A. Scott Berg’s Max Perkins: Editor of Genius, Berg’s award-winning biography of the legendary Scribner’s editor who tamed and cut Wolfe’s rambling prose down to size, I decided to tackle the novel and see for myself. Wolfe’s telling of Eugene Gant’s growing up to age 19 in Altamont, North Carolina, is a tour-de-force: ““By God, I shall spend the rest of my life getting my heart back, healing and forgetting every scar you put upon me when I was a child. The first move I ever made, after the cradle, was to crawl for the door, and every move I have made since has been an effort to escape.” The Gant family was, to put it mildly, dysfunctional before that word became stylish, and Wolfe spares no one. His real hometown of Asheville turned harshly on him when the novel was released because of his unsparing portrait, but he remains North Carolina’s most famous author. The first thing I did after I finished was to order the sequels: Of Time and the River, The Web and the Rock, and You Can’t Go Home Again, the latter two published after Wolfe’s untimely death at 37 in 1938.
Wolfe’s literary star has fallen since his death, unlike those of contemporaries Faulkner, Hemingway, and F. Scott Fitzgerald. In my uninformed opinion he towers over them all, and his books deserve to be more widely read. The title of this essay is perhaps the most famous passage from Wolfe’s first novel and the title he preferred for it. It was for good reason that critic Malcolm Cowley wrote that Wolfe was “the only contemporary writer who can be mentioned in the same breath as Dickens and Dostoevsky.”
Other Mountains Climbed in 2016: Last year in my end-of-year column I wrote that some of my 2016 goals were: “Exercise more. Run more. Read more. Write more. Listen more. Hike more. Bike more. Talk less. Eat less. Complain less. Argue less. Get angry less. Watch TV less. To pick up the phone and talk to someone I haven’t talked to in a long time. To renew friendships and make new ones. To try on a daily basis, as Thomas Jefferson so eloquently put it, to take life by the smooth handle. To meet life and its challenges and opportunities with stoicism. To try, as Marcus Aurelius said, to arise each morning and remember what a precious privilege it is to be alive.”
I succeeded in some areas (I exercised 316 days last year) and not so much in others. The list seems pretty good as I read over it again, so I’ll stick with it for this year. Whatever your goals and aspirations, I hope you succeeded in 2016.
To one and all who took the time to read a word of this blog last year—or any year—I offer my heartfelt thanks. Happy New Year, and I hope to see more of you here in 2017.
A One-Man Army
It’s a good time to be Alexander Hamilton. The Broadway musical that bears his name was nominated last week for 16 Tony awards, this after winning a Pulitzer Prize for drama. The US Treasury department announced last month that Hamilton will remain on the ten-dollar bill. Andrew Jackson didn’t fare so well, being displaced by Harriet Tubman. Whether he deserved that fate or not is a topic for another day. Hamilton apparently survived the cut not because of his extraordinary contributions to the establishment of this republic—and they were extraordinary—but because of the enormous popularity of the musical. One wonders—at least this one does—how it could possibly have come to that. Yet here we are.
Why did it take his name in lights on Broadway and rendering his story through hip-hop for Americans to finally take stock of Alexander Hamilton? No other Founder has been treated with less national respect than Hamilton even as treating the Founders with disrespect has become de rigeour. How about this? Forget about taking him off the ten dollar bill—he should be on every single denomination of currency, starting with the penny and moving up from there. We wouldn’t have a currency without him, nor perhaps a country to go with it.
The musical is based upon Ron Chernow’s justly lauded 2004 book, Alexander Hamilton, the most recent—and most successful—attempt to re-position Hamilton in the national pantheon, building upon the work of previous Hamiltonian scholars: Broadus Mitchell’s two-volume Alexander Hamilton: Youth to Maturity, 1755-1788 (1957) and Alexander Hamilton: The National Adventure, 1788-1804 (1962); John C. Miller’s Alexander Hamilton: Portrait in Paradox (1959); Forrest McDonald’s quirky Alexander Hamilton: A Biography (1979); Robert Hendrickson’s quirkier The Rise and Fall of Alexander Hamilton (1981, based upon his 1976 two-volume work, Hamilton I: 1757-1789 and Hamilton II: 1789-1804); and Stephen Knott’s excellent summary of Hamilton’s ever-changing place in American culture, Alexander Hamilton and the Persistence of Myth (2002).
Chernow’s is a rather glowing portrait that I read recently (and largely agree with) but it is certainly not uncritical. He takes Hamilton to task for all manner of things, from his bad judgment in attacking John Adams in print just before the 1800 election to his horrendously bad judgment in carrying on an adulterous affair with Maria Reynolds and then confessing to it in print. No saint, this guy.
And yet, even if he’s only half the abolitionist or financial genius that Chernow says he was, as some recent critics have charged, he was still light years ahead of nearly every other one of the Founders on slavery and finance, and that’s saying something.
Why does Hamilton remain one of the most controversial figures in American history? Why has it been so hard to give him his due, and why among the Founders do we seem so reluctant to acknowledge his contributions and, yes, even to celebrate him?
Mainly because of that other guy. You know who I’m talking about. One is forbidden to talk about Hamilton without juxtaposing him with Thomas Jefferson. They are the Abbott & Costello of American history, inextricably linked in an eternal manologue about “Who’s On First” as it relates to the political culture of this country—large government vs. small, strong central government vs. states’ rights. Hamilton is always framed as Jefferson’s foil, as someone whose ideas had to be defeated so that Jeffersonian Democracy could reign supreme. I’ve written elsewhere about these two and their rivalry and how it still informs modern America.
From his own day to this, Hamilton has been accused of being elitist, a monarchist, out of step with America, hot headed, a plutocrat who cared nothing about ordinary people, enslaved to the monied classes and Wall Street. His speech at the 1787 Constitutional Convention in which he spoke favorably of a president for life is trotted out every so often to prove the point. It seems pretty clear to me, though Hamilton never expressly said so, that he gave faux support to an extreme view simply to make James Madison’s controversial Virginia plan look moderate by comparison (just as some believed that Donald Trump made Ted Cruz look reasonable). If Hamilton was a monarchist, why in the world would he have written 51 of the 85 Federalist Papers in a white heat in support of ratification? That most of these accusations about his supposed elitism came from slaveowners—and their subsequent supporters—who were somehow deemed more democratic than he should not surprise us. Hamilton’s story, like most, is far more complicated than that.
Until recently, most Americans were wholly ignorant of Hamilton and his contributions to American history, other than some vague and passing recognition of his image on the ten dollar bill. Even that was in jeopardy till Lin-Manuel Miranda made him a star. There is no Alexander Hamilton Memorial in Washington DC, and his home and grave in New York City suffered decades of neglect, though attendance at both are on the uptick, thanks again to the Broadway show.
Despite Hamilton’s small stature, when you try to come to grips with him there’s a lot to get your arms around. Jefferson is almost always introduced by his long list of accomplishments, and they are many. But Jefferson came from money, status, and connections. His mother was a Randolph, and he was given every advantage that an oldest son of the Virginia gentry could be given. It would have been almost criminal if he hadn’t reached great heights.
Hamilton’s achievements are just as notable but were all attained without pre-existing advantages: born in poverty in the West Indies to an unmarried mother, he went on to become a student at what became Columbia University, a veteran of the Continental Army, captain of artillery, military aid to General Washington, battalion commander at Yorktown, New York legislator, member of Congress, attorney, member of the 1787 Constitutional Convention, signer of the Constitution, author of the majority of the Federalist Papers, first Secretary of the Treasury, founder of the American financial system that created the smoothly running machinery of a modern nation-state, founder of the bank of New York, and co-founder of the New York Evening Post newspaper. His time in the Continental Army–including starving and freezing at Valley Forge due in part to a weak national government–informed and shaped his nationalist thinking for the rest of his life. Jefferson wasn’t there.
Like Jefferson, he was a renaissance man as well: poet, essayist, abolitionist, educator, renowned orator, foreign policy expert, major general in the Army, voracious reader and writer. His writing achievements are staggering both in scope and volume. Though he died at 49, his collected writings and papers cover 32 thick published volumes running to 22,000 pages. His ability to turn out massive and articulate pamphlets and essays on incredibly difficult and complicated legal and financial subjects was nothing less than legendary. Hamilton never took any intellectual fortress by siege when he could attack it and overwhelm it head on. It was for good reason that his arch-rival Jefferson referred to Hamilton as a “host unto himself,” a one-man army. At the height of his powers no one could touch him, and the Sage of Monticello didn’t even try.
Another notable Hamilton difference from Jefferson: As I mentioned, Hamilton was born and grew up in the West Indies, where he witnessed slavery in all its brutality and cruelty first hand. In doing so he was no different than most of the other Founders. Unlike Jefferson, however, Hamilton loathed what he saw and became a pronounced opponent of slavery in a way that Jefferson never did. And yet it was Hamilton who was called elitist, not Jefferson. It was Jefferson who was called the champion of the common man, though he himself was never remotely common, while Hamilton raised himself up from poverty and never owned slaves.
It’s also worth noting that until Jefferson arrived in New York to become Secretary of State in March 1790, Hamilton filled that role as well. He easily became the Washington administration’s first and most influential foreign policy voice. It’s my belief that Hamilton could have filled all four of Washington’s cabinet positions—treasury, state, war department, attorney general—by himself. And served on the Supreme Court. None of the other cabinet officers could have done the same with nearly the expertise that he could. Remember too that he became Secretary of the Treasury at age 34. Imagine that happening now.
Jefferson from the first acknowledged and respected Hamilton’s enormous intellectual gifts. He called the Federalist Papers “the best commentary on the principles of government which was ever written.” As the workings of Hamilton’s financial system became better known, Jefferson’s unhappiness with it grew (though he never really understood it), and he and James Madison (Hamilton’s one-time ally) openly opposed it.
Jefferson, unlike Hamilton, hated open conflict, and he let Madison do most of the heavy lifting when it came to taking up the pen of opposition in the newspapers. But nobody could match Hamilton when it came to words, and it was here that Jefferson acknowledged Hamilton’s superior skills as a one-man army, an intellectual battering ram that no one could deflect. Eventually they both carped and complained loudly to President Washington, who grew weary of the open warfare in his cabinet.
But Jefferson has never had to rely on a Broadway musical to keep his brand front and center in American culture. He commands our attention because of the soaring language of the Declaration of Independence and its appeal to the universal rights of man. It calls to us in a way that Hamilton’s political and economic treatises never will. Hamilton’s passages in the Federalist might still be quoted in Supreme Court decisions, but they don’t touch our patriotic and romantic heartstrings the way Jefferson’s Olympian pronouncements do.
It’s the nature of his achievements that has made it difficult for Hamilton to climb up on Mount Rushmore. It’s like celebrating your accountant—the work they do is invaluable yet easily overlooked. They’re hardly ever invited to the party. Yet nobody gets paid without them.
There’s also no getting around the fact that Hamilton was undoubtedly something of an arrogant jerk when he wanted to be. He married up—Elizabeth Schuyler of the politically powerful New York clan—and then broke the cardinal rule by forgetting that he did, dragging his wife and ultimately his reputation through the mire of his adulterous affair with Maria Reynolds. The manner in which he left Washington’s staff during the war, his inability to overlook even mild criticism, his touchy ego that was sensitive to slights, his defensiveness and combativeness that almost no other Founder had—all of it can be traced to his ongoing insecurity based on his shaky West Indian origins, most of which has only been discovered over the last century. Among his contemporaries—Adams, Washington, Jefferson, Madison—none of them knew all the circumstances of his humble birth and never understood how far he had risen.
Hamilton’s achievements as the first Secretary of Treasury don’t sound like the stuff of legend today, but to an infant country trying to stave off financial bankruptcy and take its place among the great powers of the world, they were staggering. He seized the initiative in a way that startled everyone, and not surprisingly his enemies grew as fast as his reputation for genius.
Chernow says that Hamilton is the closest America has ever come to a prime minister, and it’s hard to argue with him. As America’s first president, Washington stayed above the political fray, believing himself head of state; Hamilton eagerly filled the void and became head of government. In a little over five combatively controversial years, he created from scratch the framework of the economic colossus that would one day bestride the world: a budget system, a funded debt, a tax system, a central bank, a customs service, and a coast guard.
Everything he proposed raised constitutional issues, some of which we’re still grappling with. The new Constitution wasn’t clear about a lot of things, and Hamilton seized the moment, insisting that the Constitution had the flexibility to meet the new nation’s needs, to create a national system necessary for economic growth. Having helped write and ratify the Constitution, he zeroed in on three of the document’s more nebulous clauses: the necessary and proper clause, the general welfare clause, and the commerce clause.
Of Hamilton’s great “reports” that he wrote during his tenure—among them the Report on Public Credit (40,000 words written in three months, complete with mathematical equations) and the far-seeing Report on Manufactures—none carried more weight for the future United States than his “Opinion on the Constitutionality of the Bank.” Get past the wonky title for a moment. Almost everything the United States government has done, from that day to this, that is not specifically spelled out in the Constitution but that speaks to a strong central government that can meet the needs of a vast and powerful people—from the Federal Reserve to the New Deal, from making sure that human body parts are not in the food you eat, to screening terrorists at the airport, from Medicare to Social Security–derives from the implied powers of Hamilton’s interpretation of the Constitution. Thank him or hate him for it as you please.
None of Hamilton’s proposals raised more raised tangled constitutional questions than the proposed Bank of the United States, which would solidify the relationship between the national government and the business classes. Banks and the financial foundation upon which they function are such an established part of our daily lives that we forget how controversial they once were—though one need look no farther than Bernie Sanders’ campaign rhetoric and the financial meltdown of 2008 to help us remember.
Hamilton thought a national bank essential for the fledgling nation’s long-term health. The proposed Bank of the United States’ charter breezed through the Senate but met stiff opposition in the House, led by Madison, by then a full-throated ally of Jefferson and adversary of Hamilton’s. Was the bank constitutional? Madison, a strict constructionist who certainly knew a thing or two about the Constitution, said it was not, though he couldn’t prevent its passage in the House. The bill landed on President Washington’s desk, and opponents howled for a veto.
Washington found himself on unsteady ground and polled his cabinet on the bill’s constitutionality: Attorney General Edmund Randolph voted against. Jefferson of course opposed it as a monopoly and a charter similar to those granted by kings. As for necessary and proper, Jefferson said that Hamilton was mis-using the clause; a measure had to be really necessary, not just convenient; it needed to be indispensable. Washington then sent Randolph and Jefferson’s objections to Hamilton and asked for a reply.
The One-Man Army met this challenge as he met all who opposed him: head on. In just over a week he penned a response that came in at 15,000 words, nearly 40 printed pages. It was a manifesto that would echo and re-echo through the Supreme Court opinions of Chief Justice John Marshall, down to the present day.
Hamilton said that the Constitution gave the government the means to attain the ends necessary to govern, otherwise government and ultimately society would dissolve. There were, he said, implied powers in addition to those enumerated in the Constitution, and that government had the right to employ all means necessary to carry out powers that were actually mentioned in the Constitution. The Bank, he said, was necessary and proper to the well being of the financial stability of the United States. To take Jefferson’s view would paralyze the government (remember here who had served and starved at Valley Forge and who had not), rendering the very idea of a national government a joke, much as it had been under the Articles of Confederation. The Bank, Hamilton said, would make it possible for the United States to do four things explicitly mentioned by the Constitution: collect taxes, borrow money, regulate trade among states, and support an army and navy. To do otherwise would cripple American business—and with it the American nation. Washington, staggered under the weight of Hamilton’s verbiage, spent a whole day pouring over the report, and signed the bank bill into law the next day in February 1791.
A century later Henry Cabot Lodge called Hamilton’s doctrine of implied powers “the most formidable weapon in the armory of the Constitution, capable of conferring on the federal government powers of almost any extent”—words that to this day can strike fear or hope into the hearts of every American, depending on their political persuasion. Hamilton’s language found its way into John Marshall’s decision in McCulloch v. Maryland almost 30 years later, a decision that decidedly cemented the nationalistic powers of the federal government and that infuriated Jeffersonian states righters. Historian Clinton Rossiter went even further: “Hamilton’s works and words have been more consequential than those of any other American in shaping the Constitution under which we live.”
And yet. Despite his clear influence and achievements, Hamilton has somehow remained outside the mainstream of the America in which he lived and that he helped create. If the Reynolds affair didn’t kill his political career, then his party infighting with President John Adams during his administration did. His pamphlet attacking Adams on the eve of the election of 1800 (see below) sealed Adams defeat and ushered in the Jeffersonian Republicans—either Burr or Jefferson, the results at first weren’t clear—and ended his influence with the Federalist party. He spent the rest of his short life in New York legal circles feeling much like a man without a country—and has remained so in death. Political differences with Aaron Burr would lead him to that fateful meeting in Weehawken in 1804, another astoundingly bad decision by a man with a wife and 7 children depending on him. Burr’s bullet lodged in Hamilton’s spine, paralyzing him. With today’s medical care, he might have survived as a paraplegic, but he died in great agony on July 12, 1804, at the age of 49.
Strangely enough, Hamilton’s name is now being invoked by some Republicans in the context of the current presidential campaign as an example of leadership and political bravery rather than folly. Hamilton opposed John Adams’ re-election in the contest of 1800 because, Hamilton said, Adams wasn’t a true Federalist: “If we must have an enemy at the head of Government, let it be one whom we can oppose, and for whom we are not responsible, who will not involve our party in the disgrace of his foolish and bad measures.” Sound familiar?
It gets better. After Adams’ defeat, and forced to choose between his old nemesis Jefferson and hated New York political rival Aaron Burr, Hamilton didn’t hesitate. He supported Jefferson as the lesser of two evils and encouraged other Federalists to do so as well. Jefferson might have different political opinions, he said, but at least he was an honest man with principles. Hamilton dismissed Burr as an ambitious, corrupt, immoral would-be tyrant who cared only for himself. Jefferson might or might not be a bad president, but Hamilton thought Burr would destroy the republic: “Mr. Jefferson, though too revolutionary in his notions, is yet a lover of liberty and will be desirous of something like orderly government. Mr. Burr loves nothing but himself – thinks of nothing but his own aggrandizement – and will be content with nothing short of permanent power in his own hands.” Some Republicans are channeling the ghost of Hamilton this year.
Did Hamilton unleash unbridled capitalism or ordered liberty? That debate will never be settled. The verdict at the moment is that Hamilton saved the fledgling United States from bankruptcy and laid the groundwork for a capitalist and a democratic revolution to grow side by side. That’s not a bad day’s work and it’s way past time that we acknowledged it. It seems silly at this late date that we are still compelled, as Andy Griffith once put it about football, to “commence to odd man” over Hamilton and Jefferson. It’s no small thing that Jefferson would call upon the doctrine of implied powers in defending the Louisiana Purchase less than 10 years later. There certainly was nothing in the Constitution that would have allowed the federal government to purchase three million acres from a foreign power. It’s also hard to imagine the Marshall court’s nationalist decisions that paved the way for the United States government to become the prime engine of emancipation, the Civil Rights movement, and America’s participation on the global world stage in the last and present centuries without the vision and leadership of Alexander Hamilton.
As the 2016 presidential contest begins in earnest, it’s clear that Hamilton’s interpretation of the United States Constitution—which he helped write and ratify and then breathed life into—is still at the heart of nearly everything we do and most of what we argue about. The doctrine of implied powers remains at the heart of our constitutional system, as controversial now as it was then. His ideas are as relevant and as contentious today as they were two centuries ago. This West Indian immigrant and his achievements, his failures, his vision, remains a vibrant part of the American landscape, whether we acknowledge him or not.
Perhaps I was wrong. Instead of lamenting that there’s no Hamilton memorial in Washington, consider this instead: The Hamilton musical is netting a profit of $1.5 million a week. That’s a lot of money changing hands in secure and safe transactions, all backed up by the United States Treasury. Maybe we’ve acknowledged him in the best way possible in the country that wouldn’t exist without him.
Hamilton famously said near the end of his life that this American world was not made for him. He got that backwards: he was made for this American world. Alexander Hamilton is still a Host Unto Himself.