Category Archives: Books

Podcast S6E1: Star Trek, Horrifying Cliches, & Goodbye Georgy Girl

This week Stan looks back at one of the most popular TV shows ever, a Mad magazine cartoonist who left his mark on the holidays, a critical day in the American Civil War, a milestone birthday of a legendary football coach, one of the most momentous days in Olympic history, Travis McGee novels, and much more.

The Freshest Advices

Item: In this column on September 24 I noted that a very rare original copy of the US Constitution was coming up for auction at Sotheby’s and that it would likely sell for $20 million. Those estimates were wrong by half. As GHS President Dr. Todd Groce noted in the AJC, the document sold for an astounding and record-setting $43.2 million. GHS owns a draft copy of the Constitution, one of only 12 in existence, that is annotated and signed by Georgia delegate Abraham Baldwin. The copy at auction was bought by hedge fund manager Kenneth Griffin, who will lend the document to the Crystal Bridges Museum of American Art in Bentonville, Arkansas, for public exhibition. The museum, founded by Alice Walton, the daughter of Walmart founder Sam Walton, opened in 2011. And in case you were wondering, Bill Gates set the previous auction record for a book or manuscript in 1994 when he purchased the Codex Leicester by Leonardo da Vinci at Christie’s for $30.8 million.

Item: As you no doubt heard, the Georgia Bulldogs—thanks to their undefeated regular season—have made the College Football Playoff for the second time, despite losing to Alabama in the SEC Championship in Atlanta on December 4. Yes, we all hoped this might be the year we finally beat Nick Satan and his Crimson Tide, but there’s no denying that Bama’s had Georgia’s number for a while now—seven straight losses since the last Georgia win in the series 14 years ago in 2007.

Who can blame Dog fans for thinking this was the year? Bama had looked positively human against all its SEC foes, scraping out wins over Arkansas, LSU, and Florida, taking four overtimes to beat Auburn (on the same field where Georgia crushed the Tigers), while actually losing to Texas A&M. In the week leading up to the game, the press in typical fashion dished out what Bama coach Nick Saban calls “rat poison”—hyping Georgia’s defense, yammering about Bama’s porous offensive line, even the threat that Georgia’s Jordan Davis might eat Bama QB Bryce Young like a Varsity chili dog. None of that happened. Georgia’s defense received a good-ol-fashioned butt whipping, Young looked like the Heisman Trophy winner he is, and overall Bama played like the New England Patriots.

One could legitimately ask, where had this Bama team been all season long? Which is the real Crimson Tide: the one that played with razor-thin margins all season, or the Super Bowl champs who dominated in Atlanta? Looming over it all is this: should Georgia get by Michigan in the Orange Bowl, and Bama beats Cincinnati in the Cotton, the two teams will meet yet again for a national championship. Could Bama really do that to us again? Surely, they can’t channel the Patriots twice in one season. Can they? All I can say is, no one of sane mind should ever underestimate Satan and the Tide. The question of the year: how much misery can Georgia fans be expected to endure in one single season? I don’t know about you, but maybe this is the year to record the game and sign up for that New Year’s Eve pinochle tournament down at the Mason’s lodge.

Item: December is upon us, and at some point this month you’re bound to hear Andy Williams’s classic Christmas song, “It’s the Most Wonderful Time of the Year.” Williams recorded the song, written in triple time, on September 10, 1963, and released it on his Christmas album that October. It has become a seasonal staple and has been enormously popular since its first release 58 years ago, appearing in commercials, movies, and TV shows, including in the trailer for the new Disney/Marvel series Hawkeye. But here’s the interesting part to me–the song was co-written by George Wyle, who also co-wrote the theme song to Gilligan’s Island. How’d you like to have those royalty checks? By the way, Wyle’s grandson, Aaron Levy, plays in Norah Jones’s band. Now you know.

Item: December means Dickens, and this year I’m reading the first book he ever published, Sketches by Boz: Illustrative of Every-Day Life and Every-Day People. Pre-dating Dickens’s first novel, The Pickwick Papers, Sketches is a collection of short essays that Boz (Dickens’s nickname) published in various newspapers and magazines between 1833 and 1836, when he was ages 21 to 24. I’m reading the Oxford Illustrated Dickens edition with illustrations by George Cruikshank, first published in February and August 1836. It’s still astonishing to me that anyone could write with this level of maturity and insight into the human condition at the equivalent age of a freshly minted college graduate. Though it lacks the appeal of a full-fledged Dickens novel, there are still some vintage Dickensian character sketches here. You can see him limbering up, stretching himself for the great novels to come.

Item:  Speaking of Dickens, as the Season is upon us, if you’ve not seen the 1984 film version of A Christmas Carol, starring George C. Scott, check it out. It’s the best of all the theatrical versions of the Dickens classic, from the location setting in Shrewsbury to the perfect casting, right down to Old Fezziwig. Frank Finlay’s Marley is the best you’ll ever see, though Edward Woodward’s (of The Equalizer fame) Ghost of Christmas Present is a strong runner-up. David Warner as Bob Cratchit, Roger Rees as Scrooge’s nephew, and Angela Pleasence as the Ghost of Christmas Past top off a stellar cast. And for good measure, director Clive Donner worked on the 1951 rendition, Scrooge. Now you know that too.

Item: Speaking of A Christmas Carol, fans of audio books who want to experience the original 1843 novella in a new way should check out the versions read by Simon Prebble (whose father, historian John Prebble, authored the famous Fire and Sword Trilogy of Scottish history) and the version narrated by Dr. Frank-n-Furter himself, Tim Curry.

Item: Speaking of Old Fezziwig—and this will be the last Dickens reference in this post—if you’re a fan of great seasonal Christmas brews, you’ll be happy to hear that Sam Adams has brought back in its holiday pack both Holiday Porter (“inspired by the famous drink of London’s Victorian era luggage porters. Brewed with generous portions of Caramel, Munich and Chocolate malt, this hearty porter finishes with traditional English Fuggles and East Kent Goldings”) and—joy to the world—Old Fezziwig Ale (“Like the character that inspired it, this beer is festive and worthy of a celebration all its own. Bursting with spices of the season, its full body accompanies a deep malt character, with notes of sweet toffee and rich, dark caramel”). Old Fezziwig was missing from last year’s holiday pack, turning festive ale lovers everywhere into small-hearted grumpy grinches who refused to bang their slew-slunkers. And no, I’m not getting paid to write this, nor is Sam Adams a sponsor of this blog, but I and they should be.

Hoist a glass and enjoy the holidays. See you in 2022.

The Freshest Advices

Item: After every election, those displeased with the outcome often threaten to “move to Canada” or to secede or otherwise withdraw from American life. I thought about that when I recently began re-reading Edmund Morgan’s classic The Puritan Dilemma: The Story of John Winthrop. I first read this book as an undergraduate in Phinizy Spalding’s Colonial American history class at UGA, and at that time I didn’t understand at least half of it. As I’ve mentioned before, I am now periodically re-reading some of the classics from grad school in order to do justice to books that got short shrift then. Morgan’s book was first published by Little, Brown, & Company in 1958 and is part of the “Library of American Biography” series.

The Puritans got their name, of course, because of their desire to purify the Anglican Church in England, and like many reformers on a mission, they could be a rather single-minded, driven, uncompromising bunch. This increasingly put them on a collision course with King James I and his son Charles I, as their demands for reform became increasingly outspoken. John Winthrop and many of his fellow Puritans could see the writing on the wall, and instead of remaining and taking part in what eventually became the English Revolution, they formed the Massachusetts Bay Company and in 1630 separated themselves from the home country by 3,000 miles.

The dilemma in the book’s title is the story of what happens when a Godly community decides to live in the world without being of the world—and the tension between the freedom of the individual and the responsibility that government has for maintaining order (reminiscent of our current controversy over vaccine mandates). Should the discontented leave and follow their own vision somewhere else, or stay and either come to terms with the status quo or tear down the system? Winthrop and his band of Puritans left to start anew, but he ended up with his own share of malcontents to deal with like Roger Williams and Anne Hutchinson. Uncompromising purity or pragmatic compromise? Winthrop didn’t figure it out, and neither have we almost 400 years later.

Item: If you’re a fan of ZZ Top and haven’t seen it, check out the 2019 documentary “ZZ Top: That Little ‘Ol Band From Texas,” on Netflix. It’s a fascinating look at how a Texas rock band rooted in the blues transitioned to become instantly recognizable cultural icons—with the help of those MTV videos—after the release of Eliminator in 1983. The beards, the cars, and the music are all here in this retrospective nominated for a Grammy for Best Music Film. Despite the death of bassist Dusty Hill in July of this year, ZZ Top is still Bad, and Nationwide.

Item: Lots of good new history and biography being published this holiday season. In no particular order, here are some of the books I’m looking forward to reading:

Fernando Cervantes, Conquistadores: A New History of Spanish Discovery and Conquest (Viking, 2021)

Gordon S. Wood, Power and Liberty: Constitutionalism in the American Revolution (Oxford, 2021)

Peter Ackroyd, Innovation: The History of England, Volume 6 (St. Martin’s, 2021)

Jay Cost, James Madison: America’s First Politician (Basic Books, 2021)

Dan Jones, Powers and Thrones: A New History of the Middle Ages (Viking, 2021)

Adrian Tinniswood, Noble Ambitions: The Fall and Rise of the English Country House after World War II (Basic Books, 2021)

James M. Banner, Jr., The Ever-Changing Past: Why All History is Revisionist History (Yale, 2021)

Volker Ullrich, Eight Days in May: The Final Collapse of the Third Reich (Liveright, 2021)

Ronald Hutton, The Making of Oliver Cromwell (Yale, 2021)

Neil Price, Children of Ash and Elm: A History of the Vikings (Basic Books, 2020)

Andrew Roberts, The Last King of America: The Misunderstood Reign of George III (Viking, 2021)

Item: I’m a huge fan of audiobooks and have listened to several good ones this fall. Being the season of darker days, I always like to hear a good rendition of Washington Irving’s “The Legend of Sleepy Hollow.” Three that I would recommend are those read by Martin Jarvis (great production, reminiscent of the old radio dramas), Anthony Heald (no frills, just great narration), and Tom Mison (if you enjoy a British accent).

For those working hard to grow old gracefully, you’ll enjoy listening to Dick Van Dyke’s Keep Moving, and Other Tips and Truths About Aging, narrated by Rob Petrie himself. Van Dyke wrote this book when he was 89; he’s about to celebrate his 96th birthday and is still going strong, winner of five Emmys, a Tony, a Grammy, and recent Kennedy Center honoree.  

Dumas Malone’s 6-volume biography of Thomas Jefferson, Jefferson and His Time, was a joy to read, and equally brilliant is Anna Fields’ narration of all 6 volumes. Fields was the pseudonym for Kate Fleming, an award-winning actress, artist, singer, audiobook narrator and producer who died tragically in a flash flood at her Seattle, Washington, home in 2006 at age 41. Her production of this classic biography is a lasting legacy for one of the best audio narrators of all time.

Item: Long-suffering readers of this blog know I love scary stories at this time of year. I recently read The Casebook of Carnacki by William Hope Hodgson. Carnacki is a contemporary of Sherlock Holmes, created at the turn of the 20th century at the same time that many writers were trying to cash in on the consulting detective craze set off by Arthur Conan Doyle. Whereas Holmes never ventured into the realm of ghosts and goblins (with the notable exception of The Hound of the Baskervilles), Carnacki specializes in tracking down things that go bump in the night. Sometimes the hauntings have supernatural origins and sometimes not, but they all create an appropriate mood and are great fun. This series of stories was first published between 1910 and 1912 in Edwardian-era magazines before being pulled together for book publication under this title in 1913. They all follow the same formula: Carnacki has four friends over for dinner, after which they retire to the library for brandy and cigars while Carnacki tells the story of his various adventures, with titles like “The Thing Invisible,” “The Gateway of the Monster,” “The House Among the Laurels,” and “The Whistling Room.” Hodgson only wrote nine of these stories before his death at the Ypres salient in World War I on April 19, 1918, at the too-young age of 40. Happily, the Carnacki stories are back in print as part of the “Tales of Mystery & the Supernatural” series published by Wordsworth Editions. Check it out.

Till next time—and Happy Thanksgiving.

Q&A: Reading and Writing with Michael Van Wagenen

Dr. Michael Scott Van Wagenen is associate professor and public history coordinator at Georgia Southern University. He is the author of the award-winning, Library Journal best seller Remembering the Forgotten War: The Enduring Legacies of the U.S.-Mexican War (University of Massachusetts, 2012), The Texas Republic and the Mormon Kingdom of God (Texas A&M, 2002), as well as several articles and book chapters. He is also co-editor with W. Paul Reeve of Between Pulpit and Pew: The Supernatural World in Mormon History and Folklore (Utah State University, 2011). In the past 30 years, he has written, produced, directed, and/or edited over 20 documentary films. His work has twice won highest honors at the National Education Film and Video Festival and been screened at the American Museum of Natural History, the Smithsonian National Museum of Natural History, Margaret Mead Ethnographic Film Festival, Chicago Latino Film Festival, and several other venues. Dr. Van Wagenen received his BA from Brigham Young University, an MAIS from the University of Texas at Brownsville, and his PhD from the University of Utah.

What first got you interested in history?

When I was very young my grandfather would tell me stories about his experiences as a Navy officer in the Pacific during World War II. That definitely sparked an awareness in me that there was this adventurous place called “the past” that you could visit through stories, books, museums, and films.

What kind of reader were you as a child? Which childhood books and authors stick with you most?

The first book I read was an “abridged for young readers” edition of Robinson Crusoe. I was in first grade and binged it all in a day. I was hooked on historical fiction and non-fiction after that.

What book did you read in grad school that you never want to see again—and what book was most influential?

I studied folklore to enhance my understanding of history and really struggled with Roland Barthes’ Mythologies (1957). I’m sure it was me, not him. On the other side of things was Michael Kammen’s Mystic Chords of Memory: The Transformation of Tradition in American Culture (1991). I couldn’t put that book down, and it really inspired my interest in the theories of collective memory.

What’s the last great book you read, fiction or non-fiction?

It’s a bit of a local cliché, but I finally got around to reading John Berendt’s Midnight in the Garden of Good and Evil this summer. I loved it—much better than the film.

You’re a documentary filmmaker: what movies and documentaries most inspired you when you were young? What filmmakers?

I don’t really remember watching documentaries as a kid. I watched a lot of old war movies and historical dramas on television: The Thin Red Line, Beau Geste, and Nicholas and Alexandra come immediately to mind. I also loved the satirical war television series F-Troop and Hogan’s Heroes. As far as filmmakers go, the first director I can remember being aware of was Akira Kurosawa. In high school in Los Angeles, I would go to the art house theaters to watch his films. Toshiro Mifune was my original action hero.

When you’re not reading for your particular field of history, what else do you like to read? What genres do you avoid? And what’s your guilty reading pleasure?

I am a complete sucker for a beautifully illustrated coffee table book. I have my own large collection of folk art books that I read and reread—my guilty pleasure, I suppose. As far as what I avoid: definitely self-help/motivational. Anyone who thinks they have the answer likely doesn’t.

What do you read—in print or online—to stay informed?

I consume it all, from left to right. I like to make my own decisions about things after I have read or listened to as many perspectives as I can. As you can guess, my politics are confusing to most people.

Describe your ideal reading experience (when, where, what, how).

As a kid I visited my grandparents who were staying on a secluded part of the California coast. We were hit by a big storm with lots of wind, rain, and pounding waves for a couple of days. There was no television or radio—just a blanket, a lamp, and a stack of pulp westerns to read. I know I’ve romanticized that moment, and I have tried to recreate that environment over and over with no success. Hurricane season is not through yet this year, so who knows?

What’s your favorite book no one else has heard of?

The Giant Joshua by Maurine Whipple (1941) is a historical fiction novel about Mormon polygamy in the mid 1800s. While it made a modest literary splash when it came out in 1941, it is largely forgotten today.

What book or collection of books might people be surprised to find on your shelves?

I have a small collection of books about UFOs. I was raised during the new-age UFO revival of the 1970s, so that shaped my childhood. I have actually published on historical UFOs and will likely develop a class on them. My approach to UFOs is similar to that of Carl Jung, who viewed them as another way to interpret the values and beliefs of a people.

How have your reading tastes changed over time?

Sadly, less MAD Magazine.

Disappointing, overrated, just not good: What book did you feel as if you were supposed to like, and didn’t? Do you remember the last book you put down without finishing?

Grasshopper Jungle (by Andrew Smith, 2014). I like a good young adult fiction book, and this one was widely praised and loved. I guess my own childhood was too urban, too undersexed, too lacking in actual alien encounters for me to connect with it.

What book would you recommend for America’s current moment?

Don’t Bite Your Friends by Lisa Rao (2009).

What do you plan to read next?

My daughter is a professional writer, and she just sent me her latest manuscript. I’m thrilled to be diving into that one!

What is the next book or article you’re going to write?

I am putting the finishing touches on an article titled “Mormons, Memory, and the Mexican War: The Role of Mormon Battalion Commemoration in the Formation of Latter-day Saint Identity, 1921 – 2021.” I use as a case study the United States’ only religiously segregated military unit to explore how collective memory and identity are constantly evolving to serve a number of social, political, and religious agendas. What’s next after that? I am writing an article about a Mexican folk art particular to the Otomí people of central Mexico. Between the early nineteenth and early-twentieth centuries they created a particular style of crucifix, called a cruz de ánimas, that they venerated to end their ancestors’ suffering in purgatory. These artifacts serve as a preliterate genealogical pedigree, and very little has been written about them.

When and how do you write?

Mornings and nights are best for me. There are too many distractions during the day. I am one of those people who need large blocks of time to find my focus.

With which three historic figures, dead or alive, would you like to have dinner?

I have three immigrant ancestors: one Dutch from the 1600s, one Irish from the 1700s, and one Scottish from the 1800s, who I would love to meet. I would cook Tex-Mex food and ask them so many questions that they would be begging to crawl back into their graves!  

Q&A: Reading and Writing with Lisa Tendrich Frank

Lisa Tendrich Frank is a historian who specializes in gender and the American South and Civil War. She is the author of The Civilian War: Confederate Women and Union Soldiers during Sherman’s March (Louisiana State University Press, 2015), which examines how warfare was redefined when the homefront and warfront collided as well as how gender guided both soldiers and civilians in one of the war’s most famous campaigns. She has also published six edited collections and dozens of articles and book chapters. Her most recent collection is Household War: How Americans Lived and Fought the Civil War (University of Georgia Press, 2020), co-edited with LeeAnn Whites. Dr. Frank is currently working on a book that explores the “domestic warfare” campaigns of U.S. generals Ulysses S. Grant, Philip Sheridan, and William T. Sherman. The book reexamines the forced evacuation of civilians from Atlanta in 1864 as part of a larger campaign to win the war by bringing it directly to the homefront. Dr. Frank’s research has been supported by fellowships and grants from various institutions, including the Huntington Library and the American Historical Association. She received her BA from the University of Massachusetts, Amherst, and her MA and PhD from the University of Florida. During her career, she has taught at several universities, including Occidental College; University of California, Los Angeles; University of North Florida; Florida Atlantic University; and California State University, Fullerton. She has also worked as a writer and consultant for various non-profits. Most recently, she served as the lead historian for the University System of Georgia’s Naming Advisory Group. For more information, visit www.lisatendrichfrank.com.

What first got you interested in history?

I remember being bored by some history classes, but never by history. Historical fiction initially sparked my interest. I was fascinated with books written in the 20th century about historical events as well as those written in the 19th century (like Louisa May Alcott’s books). I also visited a lot of museums and historic sites around the country with my family as a child. Among other things, we went to the Smithsonian Museum of American History, visited Civil War battlefields, ate gingerbread in Colonial Williamsburg, and walked Boston’s Freedom Trail.

I became interested in becoming a historian when I took a Civil War lecture class with Stephen Oates as a college sophomore at the University of Massachusetts, Amherst. He was an amazing lecturer who had us all on the edge of our seats in each class and sometimes elicited applause during lectures. The books he wrote are like that, too—as I read his biography of Abraham Lincoln (With Malice Toward None: A Life of Abraham Lincoln, 1977), I practically yelled at Lincoln not to go to Ford’s Theater. I also loved Oates’ classes because he taught history by focusing on the individuals who lived through the events instead of solely on troop movements. His lectures and the books he assigned to the class brought the Civil War and other topics to life for me. After that semester I took some small seminar classes with him—Civil War through Biography and Mari Sandoz’s American West. I knew I wanted to learn about and write about history the way Oates did. When I decided to pursue a graduate degree in history, he helped me narrow down the programs and potential advisors who would best suit my interests.

What kind of reader were you as a child? Which childhood books and authors stick with you most?

I was an obsessive and voracious reader. I read every fiction book I could get my hands on as a child, and I read as often and as much as I could. I devoured books (but not literally!). My parents were constantly trying to get me out of the house to do something (anything) else. I used to get in trouble regularly for staying up too late reading with a flashlight (I had several extra books and flashlights stashed under my bed in case I was discovered), and one of my best friends and I would sit together during lunch at school and on weekends each reading a book. My favorite books as a child (I had a lot of them) included Alice in Wonderland, Jane Eyre, Little Women, The Count of Monte Cristo, The BFG, The Prince and the Pauper, Maud Hart Lovelace’s Betsy-Tacy books, Laura Ingalls Wilder’s Little House on the Prairie books, L.M. Montgomery’s Anne of Green Gables books, Agatha Christie’s books, everything by Tolkien…. For the record, I still stay up too late reading novels and my best friend and I still talk about books together.

What book did you read in grad school that you never want to see again—and what book was most influential?

I would be happy to never see Robert William Fogel and Stanley L. Engerman’s Time on the Cross: The Economics of American Negro Slavery (1974) ever again. It’s offensive to me in its use of qualitative methods to evaluate the very human and very horrible experience of enslavement. I am still amazed at how widely read it was.

On the other hand, LeeAnn Whites’ The Civil War as a Crisis in Gender: Augusta, Georgia, 1860-1890 (University of Georgia Press, 1995) rocked my world. It gave me a model for the kind of history I wanted to do and write. It opened my eyes to how ideas about masculinity and femininity shaped the behavior of nineteenth-century Americans. That book, with Nina Silber’s The Romance of Reunion: Northerners and the South, 1865-1900 (University of North Carolina Press, 1993), shaped the kind of history that I do. I had read other books on gender, but never anything that demonstrated to me how I could apply it to the Civil War. I read both as I was preparing for my qualifying exams and they both shaped how I approached my dissertation and everything I’ve written since then.

What’s the last great book you read, fiction or non-fiction?

The most recent great fiction book I read was Hamnet: A Novel of the Plague by Maggie O’Farrell (Knopf, 2020). I loved it. It’s beautifully written and evocative. I cried a lot. I got completely swept up in the story and didn’t want it to end even though I loved it so much that I read it too quickly.

When you’re not reading for your particular field of history, what else do you like to read? What genres do you avoid? And what’s your guilty reading pleasure?

When I’m not reading for “work,” I read fiction. I have a large and always growing pile of books “to be read” and choose the one I’m in the mood for when I finish whatever I’ve been reading. I like books with characters I can imagine being friends with, and I hate books with characters I dislike. I avoid non-fiction and horror. My guilty reading pleasure is reading too many books at once.

What do you read—in print or online—to stay informed?

I read The New York Times online as well as articles from other newspapers and news magazines to stay informed.

Describe your ideal reading experience (when, where, what, how).

I will seriously read anywhere at any time, but my favorite place to read is sitting in the shade on a breezy beach with my feet in the sand as I listen to the waves. My preferred reading is always fiction in book form, not electronic. I love the feel and smell of a new book.

What’s your favorite book no one else has heard of?

When I want to relax, I often read or bake. I have a nice collection of cookbooks, and I absolutely love Sweet Serendipity. I think a lot of people know about the restaurant in New York City, Serendipity 3, but they probably don’t know of this amazing cookbook. In case you’re wondering, the Goddess Diane’s Chocolate Chip Cookies are my personal favorites but everything I’ve made from the cookbook has been delicious.

What book or collection of books might people be surprised to find on your shelves?

I think people would be surprised at the breadth of topics and type of books I have on my shelves. In addition to my collection of Civil War and other history books, I have a large and wide-ranging fiction collection. It defies easy categorization. It includes Maya Angelou’s I Know Why the Caged Bird Sings, Michael Chabon’s The Amazing Adventures of Kavalier and Clay, Geoffrey Chaucer’s Canterbury Tales, Zora Neale Hurston’s Their Eyes Were Watching God, Philippa Gregory’s The Other Boleyn Girl, Ha Jin’s Waiting, Kevin Kwan’s Crazy Rich Asians trilogy, all of Gregory Maguire’s books, Hilary Mantel’s Wolf Hall trilogy, James McBride’s Good Lord Bird, Madeline Miller’s Circe, Erin Morgenstern’s The Night Circus, Audrey Niffenegger’s The Time Traveler’s Wife, all of J.K. Rowling’s Harry Potter books, George Saunders’s Lincoln in the Bardo, The Riverside Shakespeare, Colson Whitehead’s Underground Railroad, Herman Wouk’s Marjorie Morningstar….

How have your reading tastes changed over time?

I don’t know that my reading tastes have necessarily changed that much but my willingness to put down a book I don’t like has definitely increased. I used to feel like I had to finish every book I started, and I forced myself to do so. I will still finish non-fiction that I’m reading for work or anything that I’m reading for my book club. However, sometime after college I decided that I’d read enough to know what I liked and what I didn’t like and that I no longer needed to read books just because other people thought I should. If I start a book and don’t like it, I put it down and walk away and start another book.

Disappointing, overrated, just not good: What book did you feel as if you were supposed to like, and didn’t? Do you remember the last book you put down without finishing?

I practically got booed out of my book club for panning Jonathan Franzen’s Freedom: A Novel (FSG, 2010). I hated everything about it, but especially that none of the characters seemed to have any redeeming qualities. Although I’ve really liked most of Fredrik Backman’s books, I stopped reading Beartown (Atria, 2017) once I realized what it was going to be about.

What book would you recommend for America’s current moment?

You’re probably looking for a non-fiction book here, but I think fiction is always the best answer. My comfort reading and escape from reality for the past decade has been Deborah Harkness’s All Souls Series (A Discovery of Witches, Shadow of Night, and The Book of Life) and Time’s Convert. They are my favorite books of all time. I love them and wish I could jump into the books and meet many of the characters (especially Diana Bishop and Matthew Clairmont). Harkness’s novels stress the importance of diversity, multiculturalism, and cooperation—lessons that I think everyone needs or can appreciate these days.

What do you plan to read next?

I’m currently reading The Love Songs of W.E.B. DuBois by Honorée Fanonne Jeffers (Harper, 2021) and Libertie: A Novel by Kaitlyn Greenidge (Algonquin, 2021). They’re both amazing books with complicated and relatable characters. I keep switching between them because I’m wrapped up in both stories.

What is the next book you’re going to write?

I’m working on a book on what I call “domestic warfare” during the American Civil War. I’ve always been interested in exploring the ways that the homefront and warfront connected and how 19th-century Americans understood these connections in ways that modern historians often ignore. This book is exploring how U.S. generals Ulysses S. Grant, William T. Sherman, and Philip Sheridan pursued victory with strategies that intentionally brought war to the homefront. It explores how they engaged in military occupations of towns, evictions of civilians, and invasions of homes that upended white southern households and helped end the Civil War.

When and how do you write?

I write best under the pressure of an approaching deadline. I often create artificial deadlines to keep the process moving and use small rewards to push me toward these goals. For the past year and a half, things have been unusually chaotic and unpredictable, which has made it difficult for me to find sustained and regular periods to write. I look forward to life returning to something closer to normal so that I can reestablish a regular schedule for writing.

With which three historic figures, dead or alive, would you like to have dinner?

The Civil War historian in me definitely wants to meet William T. Sherman and Clara Barton. I’ve spent so many years studying them and trying to figure out their motivations and lives, so I’d love to hear from them personally. Modern-day me would also like to have dinner with Hillary Clinton. I’m not a senator or a former secretary of state, but I feel like we’d have a lot in common and have a lot to talk about.